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SOME BEAUTY FROM TURKEY
Olympos/Ancient Cities
Olympos is one of the six major cities that Strabo describes as
having had three votes each in the Lycian League. It is certain that
the city took its name from the 2377 metre-high Mount Olympos (Tahtalı
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Existing
records and remains indicate that Olympos was founded in Hellenistic
times, and that its people were of an ethnic make-up different from that
of the Lycians. The oldest record we have of the city is its League
coinage dating to the secont century B. C. While Olympos was an important
city, having won the title of metropolis around the beginning of the first
century B.C., the captain of the Cilician pirates, Zeniketes, who had
taken control of the area, captured Olympos and used it as a base. After a
war that lasted four years, one Servilius Vatia, who in 78 B.C. assumed
responsibility for eradicating the pirates from the area, having
surrounded the castle with Zeniketes inside, put it to the torch. As
punishment for their alliance with Zeniketes, Olympos and Phaselis were
expelled from the Lycian League, made subject to the Cilician state, and
their entire treasuries were confiscated.
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After half-an-hour's walk north-west of Olympos, one arrives at a hill
about 300-400 metres in altitude. On top of it is a natural gas flame that
has been burning for thousands of years. Described in some ancient sources
as extraordinary and astounding, it is known today in the surrounding area
as "Yanartaş" or "Burning stone". This unextinguishable flame is mentioned
in Homer's epic poem The Iliad, as the spot where the heroic Bellerrophon
killed the Chimaera, a firebreathing mythical beast with the head of a
lion, the body of a goat, and tail in the form of a serpent. The only
trace the monster left on the face of the earth was his fiery breath,
which has continued to spew forth its flame for centuries.
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The most beautiful of Homer's myths about Lycia he told to Glaucos, and
is summarized as follows:
One day the famous Corinthian hero Bellerophon saw a winged horse
flying in the blue sky. This winged horse, after galloping to and fro
across the sky, shot like a streak of lightning down to one of the high
mountain peaks overlooking Corinth and quenched his thirst in its springs.
Bellerophon, overcome with admiration when he saw the horse, wanted to
catch it, but his efforts were useless. Known by the name of Pegasus, this
divine steed would not even allow the hero to touch him. Wanting very much
to capture this mysterious animal, Bellerophon went to the Temple of
Athena on the advice of an oracle, and passed the night threre entreating
the goddess of wisdom to help him in this difficult task. He saw Athena in
his dream and she said, "Awaken, Bellerophon. To capture Pegasus I have
brought you this golden bridle. With it you will soften the rebellious
creature and will be able to mount him."
As soon as he caught sight of the golden bridle, Pegasus' bad temper
disappeared and he became gentle as a lamb. Bellerophon, delirious with
excitement, jumped onto the divine steed and together they rose into the
heavens. From that day forward, Pegasus remained the inseparable friend of
the young hero.
Terrible ordeals however, lay ahead for Bellerophon. At one point he
killed his brother, and to purify himself of his sins he left the city of
his birth, going to Protions, the king of Tirynthe. As soon as Anteia, the
beautiful wife of the king, laid eyes on Bellerophon, whom the gods had
generously endowed with courage and beauty, her heart caught fire and she
became slave to an unquenchable passion for him, but for all her beauty,
for all her wiles and sweet words, she was unable to steal the trustworthy
Bellerophon's heart. The virtuous youth, not wanting to betray her
husband, rejected each of the queen's advances. Because of this, Anteia,
fabricating a malicious accusation against him, said to her husband, "Oh
Poitos, either die or kill Bellerophon, for he is a proven enemy".
These words greatly angered the listening king -to have a guest killed
would be an affront to the gods and would displease his subjects. For this
reason the king wrote a letter and gave it to Bellerophon, bidding him
take it to lobates, his father-in-law and the king of Lycia. Not knowing
the situation he was in, Bellerophon set out immediately on the road to
Lycia. On the bank of the river Xanthos the king welcomed him with great
ceremony. The feast lasted nine days and nine nights. On the tenth day
lobates requested the letter brought by his guest. Reading it, he learned
that Proitos wanted the dissolute youth killed for indecently
propositioning lobates' daughter, but how could he kill a guest whom he
had entertained for ten days? lobates, wanting both to avenge his son-in
law and to get out of murdering his guest, gave Bellerophon the task of
battling the monster called Chimaera. No one had been able to rout this
huge beast that was terrorizing all Lycia and scorching its earth. This
lion-headed, goat-bodied, serpent-tailed creature, spewing flames from its
mouth, set fire to anyone who came near it, igniting fields when it blew
out its breath and reducing towns and villages to ashes.
Bellerophon mounted Pegasus and soared aloft. When he met the Chimaera, he
attacked it from the air, thrusting a long lead spear into its
flame-throwing mouth. The lead melted from the heat, began to flow, and
the terrible monster died. From that day to this the Chimaeira's fire has
burned without cease in the hills of Olympos.
After this victory, lobates, still seeking Bellerophon's death, sent him
to battle the Solymians, who lived in the vicinty of Termessos. Once again
the youth returned victorious from his assignment. This time the king
ordered him to battle the Amazons. When the dashing youth succeeded at
this difficult task, too, lobates believed that Bellerophon had descended
from the race of the gods and kept him in Lycia, making the youth his
son-in-law.
Bellerophon, who up to this time had received the help of the gods, was
carried away with pride at his accomplishments and tried to reach as far
as the heights of Mount Olympos, but Zeus, resenting, the arrogance of the
young man flying so happily into the sky on Pegasus' back, loosed a
horsefly, to sting the winged steed. When the fly struck, Pegasus threw
Bellerophon from his back into the void and continued on his way aloft.
From then on the gods would no longer send the horse down to earth but
shut him up in a tower.
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Bellerophon himself fell back to earth. The famous hero who had vanquished
the dread Chimaera now began to limp about with an air of exhaustion. As a
result of his overweening pride at being such an important hero, he was
cast into wretchedness, always grieving, always miserable. In the end he
died alone in a corner like a nameless, unknown beggar.
Olympos was founded on the north and south sides of a valley formed by the
Göksu River, which is born in the western hills and empties itself into
the Mediterranean. The acropolis of the northern settlement is still quite
covered with overgrowth, making it nearly impossible to distinguish and
name the ruins hidden beneath. The most impressive building on the
northern side as the cella door of a templum in antis in the lonic order,
some 150 m. west of the river's mouth. On top of the door, which is 7.85
metres high, are two consoles. From an inscription on a statue base Iying
in front of the door we learn that the temple was built during the reign
of Emperor Marcus Aurelius (161-180 A.D.). North-east of the temple is a
Byzantine bath consisting of a few compartments whose function is unknown.
In an effort to control the Göksu, which divided the city in two, the
Olympos, laid high polygonal masonry walls on both sides of the river to
form quays. In the Byzantine era a basilica was built on top of the
southern quay, whose fine workmanship is of Hellenistic date. Further back
are the remains of a colonnaded street 11 m. wide, Iying admidst the ruins
of the buildings that once stood near it. To the south-east, in a spot
near the sea, can be found the ruins of a four-chambered bath. Both the
cavea, which is set into a natural slope, and the stage building of
Olympos'theatre are in complete ruins. Vaulted paradoses and other
remaining architectural elements date to Roman times. In the necropolis
area, which stretches from the theatre up to the south-west end of the
city, vaulted chamber tombs and sarcophagi predominate.
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